Archive for the ‘juvenile / classics’ Category

Through the Looking Glass


Alice is back in her room, stroking her cats - but not for long. Slipping through the Looking-Glass she meets another wild collection of fantasy characters including the Red and White Kings and Queens, Tweedledum and Tweedledee and is entertained by the poems Jabberwocky and The Walrus and the Carpenter.

Through the Looking Glass and What Alice Found There the sequel to Alice in Wonderland - is in some ways more ambitious and more consciously organized than its predecessor. Unlike most sequels, it is at least as good as the original work. As the title suggests, the fantasy world involves reversal or inversion through reflection, and also includes a more-or-less possible game of chess in which the characters themselves are players. Alice does not dream her way into the story, but instead gains access through the power of her imagination, melting, through the looking glass into that world which is always at least partly visible in it. Carroll also introduces into his second story a character more sympathetic than any in ‘Wonderland’, and perhaps based on himself -the charming and absurd White Knight, whose inventions include anklets for horses ‘to guard against the bites of sharks’.

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Roverandom


While on holiday in 1925, four-year-old Michael Tolkien lost his beloved toy dog on the beach at Filey in Yorkshire. To console him, his father, J.R.R.Tolkien, improvised a story about Rover, a real dog who is magically transformed into a toy and is forced to seek out the wizard who wronged him in order to be returned to normal.

This charming tale, peopled by a sand-sorcerer and a terrible dragon, by the king of the sea and the Man-in-the-Moon, went through several drafts over the years. Now, many years on, the adventures of Rover – or, for reasons that become clear in the story, ‘Roverandom’ – are published on audiobook for  the first time.

Reviews

‘This is an old-fashioned story, yet it still speaks freshly today… would leap to life when read aloud to a child’
Independent

‘Lord of the Rings buffs will enjoy picking out bits of Nordic mythology and will relish Tolkien’s fabulous sense of landscape’
The Times

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Rapunzel & The Pied Piper of Hamlin

Rapunzel
When a couple is caught stealing rapean from a witch’s yard, she takes their child and locks her alone in a tower in a secluded woods.

Performers:
Sandy J. Hotchkiss,
Lesley J. Peasrson,
K. Anderson Yancy

The Pied Piper Of Hamlin
When the town council of Hamlin refuses to pay the pied piper responsible for liberating them from a horrendous rat infestation he takes a horrific revenge.

Performers:
Sandy J. Hotchkiss,
Lesley K. Pearson,
K. Anderson Yancy

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Pied Piper of Hamelin, The

There are nonsense poems (The Jumblies) classic animal poems (The Snail ) stories of adventure (The Ballad of Sir Patrick Spens) and Robert Browning’s classic tale of adults getting their come-uppance - The Pied Piper of Hamelin. Modem poetry also makes its contribution with wordplay (Zoe’s Ear-rings) and images of nature (Weathers).

Though principally aimed at the eight to thirteen year olds, this is a collection to delight listeners young and old alike.

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Huckleberry Finn

Twain’s story of an orphan is often cited as the greatest American novel. 

Based in the mid 1800s before the Civil War, the novel chronicles the journey of and relationship between Huckleberry Finn and a runaway southern slave, Jim, as they flee south on the Mississippi River. The pair have a journey that bring them together and that clearly shows Mark Twain’s dislike for slavery in the southern culture.

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Emperor’s New Clothes


Full Cast. Do you know the difference between seeing what you saw, and saying what you saw?

Story by Hans Christian Andersen. Adaptation by Jim Cort
Recorded at Lindner Sound, San Francisco
Produced & Directed by Glenn Carlson & Scot Crisp
Cast:
Narrator - Blanca Nieves
Emperor - Scot Crisp
Hives - Digby Christian
Snip - Glenn Carlson
Stitch - Terri Dien
Boy - Janelle Parkin
Courtiers & Crowds - Chris Linert & Cast

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Connecticut Yankee in King Arthur’s Court, A


The magical and romantic legend of King Arthur and the Knights of the Round Table Is one of the great stories of the world. The most famous version - Le Morte d’Arthur by the 15th century writer Sir Thomas Malory, which told of Arthur, Excalibur, Merlin, Sir Launcelot, Guinevere, Sir Gawain, the search for the Holy Grail and the final battle between the King and Mordred - is full of excitement, heroism and mystery.

Like most of his generation, Mark Twain, the great 19th century comic American writer, knew and loved the book. He wrote mainly about his own time - and his greatest successes such as Huckleberry Finn and Tom Sawyer drew on the Mississippi countryside where he grew up. But he also had a wicked sense of humour, and he wanted to show that Malory’s picture of brave knights and rescued damsels was not as shiny or honourable we may like to think.

From the moment the idea came to him, to whisk a modern man (modern=1880s for Twain) back in time to the heyday of Camelot, he couldn’t resist elaborating on the realities of life In Arthurian times. His Connecticut hero. Hank Morgan, found not a land of grace and ideals but one which was smelly, dangerous, uncomfortable and backward.

Hank finds that life is regarded as cheap, that torture and execution are commonplace, that superstition is everywhere and even Merlin is a con-man. Few wash, the music is terrible, living in armour is horrendous and deception is everywhere.

So Hank decides that he will make the best of his situation and introduce 6th century England to some of the improvements of his contemporary (19th century) existence - advertising, soap, newspapers, stocks and shares, and the railroad. And, with his superior knowledge, he will become The Boss.

How do the people of an older time take to it? In much the same way Twain suggests, as we would if someone from the distant future came down and tried to make us live their way: The older people generally do not like giving up their traditional ways, even though there were very clear advantages and only the youth can adapt.

Yet despite this, Hank cannot but admire some qualities of those knights and their damsels - not least the ability to stand up and fight in steel armour that would crush the contemporary man.

The novel began mainly as a delightful fantasy, but as Twain wrote, the darker side of his own character and view of the human race emerged. He believed in science, economics and practicalities; and government based on the equalities of opportunity that characterised America of Twain’s day He couldn’t accept a people who would choose monarchy. A Connecticut Yankee shows what can happen when these two very different societies come together.

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Ballet Shoes


Rosemary Leach stars in a BBC Radio 4 full-cast dramatisation of Noel Streatfeild’s children’s classic.

These audio editions, especially dramatised for BBC Radio, are of timeless stories that have enchanted generations of readers both young and old. The wonder and excitement of these much-loved tales live on in these acclaimed full-cast dramatisations, complete with evocative music and sound effects.

When Sylvia and her old nurse Nana agree to keep house for Great-Uncle Matthew (or Gum, as Sylvia calls him), they know they will be looking after his fossil collection while he’s away on his travels. But imagine their surprise when one day Gum brings them something completely different to look after ~ a baby! And then another.

And another

The three live happily with Sylvia and Nana until one day Sylvia realises that the money Gum left to take care of them has all gone. What are they to live on? Taking in boarders is the first step, but how can she afford to send the children to school? And that’s when lodger Theo comes up with her great idea - Pauline, Petrova and Posy are to become pupils at the Children’s Academy of Dancing and Stage Training, Now the adventures really begin!

Ballet Shoes is a classic of 20th-century children’s literature. The lively humour and sense of fun that have made the novel such a perennial favourite are brought vividly to life in this enchanting BBC Radio 4 full-cast dramatisation.

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Alice’s Adventures in Wonderland


A BBC Radio 4 full-cast dramatisation, starring Roy Hudd, Sarah-Jane Holm and David Bamber.

 

These audio editions, especially dramatised for BBC Radio, are of timeless stories that have enchanted generations of readers both young and old. The wonder and excitement of these much-loved tales live on in these acclaimed full-cast dramatisations, complete with evocative music and sound effects.

‘Oh my ears and whiskers, how late it’s getting!’

When Alice sees the White Rabbit run by, it occurs to her that she’s never seen a rabbit with a watch before. Burning with curiosity, she jumps up and follows him into a rabbit-hole. Then she falls down a long, long way.

Down into the world of the Mad Hatter and the March Hare, the Duchess, the Cheshire Cat and the Mock Turtle. Down into Wonderland, where an ordinary little girl can have the most extraordinary adventures. Lewis Carroll’s classic tale has been translated into more languages than almost any other book, and remains a perennial favourite worldwide.

With David Bamber as the splendid White Rabbit, Roy Hudd as the Mad Hatter and Sarah-Jane Holm as Alice, the spellbinding and fantastic story sparkles with nonsensical life in this full-cast dramatisation.

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